{"id":2526,"date":"2017-05-17T20:23:11","date_gmt":"2017-05-17T19:23:11","guid":{"rendered":"http:\/\/ueliraz.ch\/WordPress\/?p=2526"},"modified":"2017-05-17T20:23:11","modified_gmt":"2017-05-17T19:23:11","slug":"maldonado-morciano-gentilucci-canat-spiropoulos","status":"publish","type":"post","link":"https:\/\/ueliraz.ch\/WordPress\/?p=2526","title":{"rendered":"Maldonado, Morciano, Gentilucci, Canat, Spiropoulos"},"content":{"rendered":"<p>Soeben live auf France Musique Concert Electr()Ladies donn\u00e9 le 29 mars 2017 au Centre d&#8217;Art Contemporain Passerelle, \u00e0 Brest, dans le cadre de la 4e \u00e9dition du Festival Elect()cution. Avec l&#8217;Ensemble Sillages : Vincent Leterme, piano, Lyonel Schmit, violon, Sullimann Altmayer, violon, Gilles Deli\u00e8ge, alto, Ingrid Schoenlaub, violoncelle, Philippe Arrii-Blachette, dir.<\/p>\n<p>Javier Torres Maldonado, Inoltre , pour piano, \u00e9lectronique en temps r\u00e9\u00e9l et vid\u00e9o (2017), Vincent Leterme, piano.<\/p>\n<p>Lara Morciano, Raggi di Stringhe, pour violon et \u00e9lectronique (2011), Lyonel Schmit, violon.<\/p>\n<p>Marta Gentilucci, Exercices de Stratigraphie, pour accord\u00e9on et \u00e9lectronique (2017), Pascal Contet, accord\u00e9on.<\/p>\n<p>Edith Canat de Chizy, Over the Sea, pour trio \u00e0 cordes, accord\u00e9on et \u00e9lectronique (2012).<\/p>\n<p>Georgia Spiropoulos, Landscapes and monstrous things&#8230; (2017).<\/p>\n<p>Die ersten drei St\u00fccke unterkomplex, als ob sie f\u00fcr Freunde der Jazz- und Barmusik konzipiert worden w\u00e4ren. Das beste St\u00fcck? Landscapes and monstrous things&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soeben live auf France Musique Concert Electr()Ladies donn\u00e9 le 29 mars 2017 au Centre d&#8217;Art Contemporain Passerelle, \u00e0 Brest, dans le cadre de la 4e \u00e9dition du Festival Elect()cution. Avec l&#8217;Ensemble Sillages : Vincent Leterme, piano, Lyonel Schmit, violon, Sullimann Altmayer, violon, Gilles Deli\u00e8ge, alto, Ingrid Schoenlaub, violoncelle, Philippe Arrii-Blachette, dir. Javier Torres Maldonado, Inoltre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=\/wp\/v2\/posts\/2526"}],"collection":[{"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2526"}],"version-history":[{"count":1,"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=\/wp\/v2\/posts\/2526\/revisions"}],"predecessor-version":[{"id":2527,"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=\/wp\/v2\/posts\/2526\/revisions\/2527"}],"wp:attachment":[{"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ueliraz.ch\/WordPress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}